Campaign 2005: Parole Call
by Marjory GarrisonLocal
Before crack, before Meghans Law and before 2.1 million people crowded U.S. prisons and jails, the reality of prisoner re-entry still held true: most prisoners come back. Back to the blocks they grew up on, to the kids they left behind, to no job, few prospects, and a weekly appointment with their parole officer.
Hearts and Minds of Darkness: Garrett Scott In Conversation with Williams Cole
by Williams ColeExpress
Occupation: Dreamland, a chilling documentary directed by Garrett Scott and Ian Olds about the Fallujah in January 2004, just prior to the U.S. siege, opens on September 23 at Cinema Village. The Rails Williams Cole recently sat down with Scott.
The Art of Parrying: Wilfried Dickhoff in conversation with Joan Waltemath
by Joan WaltemathArt
Wilfried Dickhoff is an independent critic, curator, and publisher who lives in Cologne and New York. He has taught at several art academies in Europe and recently at Princeton University. Currently, he is working on monograph books, e.g. on Albert Oehlen and Rosemarie Trockel, and a new international art magazine, which will be published out of Istanbul.
Philip Pearlstein In Conversation with Phong Bui
by Phong BuiArt
In the midst of preparations for his new exhibit at the Betty Cuningham Gallery, Philip Pearlstein took the time to sit down with Rail publisher Phong Bui to talk about his life and work at his loft studio in Hells Kitchen, where he and his wife Dorothy have lived since 1982.
Al Held (1928-2005)
by Chris Martin, Rackstraw Downes, William Conlon, and Judy PfaffArt
I first met Al Held as an undergraduate at Yale. I remember seeing him with a group of graduate students playing cards in the Art and Architecture building.
Editor's Message
Mayor Bloomberg may not see the war in Iraq as a local issue, but most reasonable people disagree. From Cindy Sheehans Crawford to right here in our very own New York City, opposition to Mr. Bushs war has never been greater.
- Andrew Demirjian by Hrag Vartanian
- Fresh Paint by Francis Raven
- Homomuseum: Heroes and Moments by Hrag Vartanian
- Killing Me Softly by Stephanie Buhmann
- Material Witness: The Selected Letters of Fairfield Porter by William Corbett
- Aernaut Mik by Jason Murison
- The Sign of Paradise by Roger Kamholz
- Remote Viewing by Stephen Maine
- Leslie Roberts by James Kalm
- War/Hell Master Prints by Otto Dix and Max Beckmann by Thomas Micchelli
- We Could Have Invited Everyone by Francis Raven
Werner Herzog & the CMV
by David N. MeyerFilm
Anyone who makes nature films for a living will tell you that its impossible to get funding without a CMV.
What's for Dinner
by Marjory GarrisonLocal
As part of an ongoing series, The Rail will be visiting dinner tables throughout the borough to examine how economics, culture and taste influence what for most remains the principal meal of the day.
Full Contents
Local
- Campaign 2005: Parole Call by Marjory Garrison
- What's for Dinner by Marjory Garrison
- Bruce Ratner: Powerman, the Eroica, and Atlantic Yards
Express
- Hearts and Minds of Darkness: Garrett Scott In Conversation with Williams Cole by Williams Cole
- Letter From London by Megan Bahree
- Mexico City Punk by Jason Flores-Williams
- Session PLAN B: the Scottish Model by Peter Lamborn Wilson
- You May Never Have Heard of Leo Strauss, but His Ideas Are Dominating the World by Norman Kelley
Art
- Al Held (1928-2005) by Chris Martin, Rackstraw Downes, William Conlon, and Judy Pfaff
- Ancestry & Innovation African American Art, From the American Folk Art Museum, Through September 4 by Daniel Baird
- Displaced Histories: The Art of Banks Violette by Katie Stone Sonnenborn
- Letter from Bruce Conner by Bruce Conner
- The Art of Parrying: Wilfried Dickhoff in conversation with Joan Waltemath by Joan Waltemath
- Philip Pearlstein In Conversation with Phong Bui by Phong Bui
- Railing Opinion: Dore Ashton and Carlos Brillembourg on Post 9/11 by Dore Ashton and Carlos Brillembourg
ArtSeen
- Andrew Demirjian by Hrag Vartanian
- Fresh Paint by Francis Raven
- Homomuseum: Heroes and Moments by Hrag Vartanian
- Killing Me Softly by Stephanie Buhmann
- Material Witness: The Selected Letters of Fairfield Porter by William Corbett
- Aernaut Mik by Jason Murison
- The Sign of Paradise by Roger Kamholz
- Remote Viewing by Stephen Maine
- Leslie Roberts by James Kalm
- War/Hell Master Prints by Otto Dix and Max Beckmann by Thomas Micchelli
- We Could Have Invited Everyone by Francis Raven
Books
- Julian Barnes with James McCloskey by James McCloskey
- Fiction : An Experiment in Pleasure by Robert Clark Young
- Mama Knew Best by Ashley Williams
- Mixed Media: Utopian Schemes by Johanna Drucker
- Writing in the Dark: The Story of Irene Nemirovsky by Erin Durant
- Fiction : Desperate Housewives, Japan-style by Corrie Pikul
- Poetry : Our Poet of the Plains by Alexander Nazaryan
- Art: Picturing the Un-picturesque by Robert Berlind
Music
- Park Slope Cosmopolitan: Las Rubias del Norte play the music of South American cowboys and Cuban lounge-lizards by Robbie Whelan
- Notes on Quantum by Basil Kirchin
- “i want to see your face in the reflection of my bedroom stereo” by Grant Moser
Dance
- Dancing on the Rail: Let the Festivals Begin by Vanessa Manko
- Impure Movement: Cunningham, O'Connor and the Task of Saying Something by MJ Thompson
- Notes from the Fringe by Nicole Pope and Emily Larocque
Film
- Isn’t There a Little Bit More to Life? by Gragory Zucker
- Werner Herzog & the CMV by David N. Meyer
- Remembering Omer Kavur by Robert A. Haller
- Punk Rock Docs by Williams Cole
- The Romance of Revolution by Nona Willis-Aronowitz
- SAMURAI FLASHBACK by David Wilentz
Theater
- Excerpt: Commedia del Smartass by Sonya Sobieski
- A Life in the Theater: Orson's Shadow by Emily DeVoti
- In Dialogue: Stepping into Darkness with Will Eno by Jake Hooker
- Up from Off-Off: Prelude '05 Redefining "Downtown" Theater by Brook Stowe
Fiction
Poetry
- I Do Not Tire Quickly by Katie Degentesh
- Bush Poem, City Poem, Hospital Poem by Harvey Shapiro
- Ape Ancestry, My Refinery by Jeremy Sigler
LastWords
- NOISE by Kurt Strahm
Editor's Message



