Featured Articles
The Mea Culpa of Gentrification: Danny Hoch with Williams Cole
by Williams ColeExpress
Danny Hochs new one-man show, Taking Over, starts its run at the Public Theater on November 7th. Taking Over is comprised of diverse characters of different race and class, including Hoch as himself, who embody the dilemmas and problems of gentrification in Brooklyn.
Man, What a Show!
by Theodore HammEditor's Message
September was one helluva ride. It came in with a hurricane that blew the president and vice president off the RNC stage.
Joanna Pousette-Dart with Joan Waltemath
by Joan WaltemathArt
On the occasion of the painters recent exhibit at Moti Hasson Gallery, which will be on view until November 1, Joanna Pousette-Dart welcomed Rail Editor-at-Large Joan Waltemath to her Broome Street studio to talk about her life and work.
David Opdyke with Phong Bui
by Phong BuiArt
"There's always a balancing act between using key events referring to a specific date and time, and the artistic liberty I can employ in my work," says Opdyke. "I try to stay on top of what's going on in the world, and I listen to the radio constantly. At the same time, I don't want my work to be tied to yesterday's headline."
Drive-By Yodel
by Bart PlantengaMusic
I dont know how it happens, but things evolve of their own accord in life, shoved along by ones own preoccupations and interests.
Man, What a Show!
by Theodore HammSeptember was one helluva ride. It came in with a hurricane that blew the president and vice president off the RNC stage.
- Ron Amstutz: Right Roads & Wrong Ways by Jeremy Sigler
- Progress by Jen Schwarting
- Marc Van Cauwenbergh: Loose Formations by Stephanie Buhmann
- Show and Tell: Contemporary Practice in Artists' Books by Sharon Butler
- Swoon: Swimming Cities of Switchback Sea by Ellen Pearlman
- Raha Raissnia by Ben La Rocco
- Pipe, Glass, Bottle of Rum: The Art of Appropriation by Cora Fisher
- Arthur Cohen by Robert C. Morgan
- Shit: a group exhibition by Thomas Micchelli
- Medium Cool: The Case for Serrano's Hot Shit by Robert C. Morgan
- Alejandro Almanza Pereda THE FAN AND THE SHIT by Shane McAdams
- Cecelia Condit by Heidi Howard
- Baker Overstreet: Follies by Craig Olson
- Leigh Ledare: You Are Nothing To Me. You Are Like Air by Thomas Micchelli
- Brooklyn Dispatches: Performance Anxiety by James Kalm
- Art and China's Revolution by Ellen Pearlman
- Robert Bordo: It's always raining by Cassandra Neyenesch
- Entre Chien et Loup by Nora Griffin
- Charles Seliger: Ways of Nature by John Yau
- John Ashbery: Collages: They Knew What They Wanted by John Yau
- John Ashbery: Collages: They Knew What They Wanted by Claudia La Rocco
- Letter from London by Sherman Sam
- Andrew Bick and Charlotte Beaudry by Sherman Sam
New Social Mov(i)ements
by Sarahjane BlumFilm
There is a new wave in agitprop, but its familiar to the old timers. Referencing, conjuring, sentimentalizing, and recreating the passion of the New Left and eco-warriors, performance artists and marquis actors are engaged in a frenzied effort to get viewers to aim higher.
On Rooftops in a Dream: Local Filmmakers Navigate the Indie-Market
by Jericho ParmsStreets
The rooftop of the Old American Can Company, an historic complex in Brooklyn, is packed with nearly 600 people glued to their seats. They watch the film on the large screen as the camera cuts from the gutting of a fish to broken shards of a mirror; then to Isaiah Zagar, a legendary mosaic artist, fingering colorful tiles embedded in a wall along the South Street Corridor in Philadelphia.
David Wallace
by Martin RikerLastWords
David Foster Wallace was a pen name. It was also the authors real name but he never went by it. The Foster was his agents idea, he said, because Da-vid Wal-lace was syllabically unmemorable. This has proven to be sound marketing advice, although I dont think David or Dave Wallace was ever very comfortable with it.
Full Contents
Local
- Harvest in Howard Beach by Anna Neerman
- Chisholm Center Uses History to Inspire Activism by Eleanor Bader
- The Remains of Renwick Ruins by Nadia Chaudhury
- Backyard Gardens in Stereo by Erik Rhey
Express
- Man, What a Show! by Theodore Hamm
- Making Our Votes Really Count by Nicholas Jahr
- Up in Smoke by Paul Mattick
- Campaign Dispatches: St. Paul and Beyond by David Levi Strauss
- A Letter from Alf Landon by David Levi Strauss
- Call Me Naive: A Love Letter by Alex Gallo-Brown
- A Life in Underground Letters by Williams Cole
- Crawling through the Wreckage by Vincent Rossmeier
- A Blueprint, or a Green One? by Leigh Kamping-Carder
- The Journalist as Private Eye by Katie Rolnick
- Souls of Arab-American Folk by Jessica Loudis
- Diamonds in the Rough by James Arnett
- Andrzej Wajda: An Auteur from the East by Alan Lockwood
- The Mea Culpa of Gentrification: Danny Hoch with Williams Cole by Williams Cole
Art
- Joanna Pousette-Dart with Joan Waltemath by Joan Waltemath
- David Opdyke with Phong Bui by Phong Bui
- Stanley Whitney with John Yau by John Yau
- Michael Corris with Joan Waltemath by Joan Waltemath
ArtSeen
- Ron Amstutz: Right Roads & Wrong Ways by Jeremy Sigler
- Progress by Jen Schwarting
- Marc Van Cauwenbergh: Loose Formations by Stephanie Buhmann
- Show and Tell: Contemporary Practice in Artists' Books by Sharon Butler
- Swoon: Swimming Cities of Switchback Sea by Ellen Pearlman
- Raha Raissnia by Ben La Rocco
- Pipe, Glass, Bottle of Rum: The Art of Appropriation by Cora Fisher
- Arthur Cohen by Robert C. Morgan
- Shit: a group exhibition by Thomas Micchelli
- Medium Cool: The Case for Serrano's Hot Shit by Robert C. Morgan
- Alejandro Almanza Pereda THE FAN AND THE SHIT by Shane McAdams
- Cecelia Condit by Heidi Howard
- Baker Overstreet: Follies by Craig Olson
- Leigh Ledare: You Are Nothing To Me. You Are Like Air by Thomas Micchelli
- Brooklyn Dispatches: Performance Anxiety by James Kalm
- Art and China's Revolution by Ellen Pearlman
- Robert Bordo: It's always raining by Cassandra Neyenesch
- Entre Chien et Loup by Nora Griffin
- Charles Seliger: Ways of Nature by John Yau
- John Ashbery: Collages: They Knew What They Wanted by John Yau
- John Ashbery: Collages: They Knew What They Wanted by Claudia La Rocco
- Letter from London by Sherman Sam
- Andrew Bick and Charlotte Beaudry by Sherman Sam
Books
- FICTION: Enlightened Partisans by Jim Feast
- FICTION: Opiates and Omnivores by Brandon Proia
- Marie Ponsot with Sally Dawidoff and Jean Gallagher by Sally Dawidoff and Jean Gallagher
- FICTION: Three Chords and the Truth by Joseph Salvatore
- FICTION: When You Can't Cut Fog by Douglas Messerli
- ANTHOLOGY: The Task of the Translator-Poet by Ben Mirov
- ANTHOLOGY: Tongue Out of Cheek by Sam Douglas
- FICTION: Oh What a Paradise It Seems by Zoe Slutzky
- FICTION: Better Off Without a Wife by David Varno
- Prose Roundup by Erin Heath, Ben Mirov, Tatiaana Laine, and Primwatee Groover
- Poetry Roundup by Jeffrey Cyphers Wright and Tim W. Brown
Music
- Todd P.: A Show for All Ages by Megan Martin
- Phil Elverum with Aaron Lake Smith by Aaron Lake Smith
- Dimensions in Music: A Field Guide to the Mambo World by Alan Lockwood
- Drive-By Yodel by Bart Plantenga
- Gibbons: The One-Hit Jabberwockies of the Rainforest by Wilfried Hou Je Bek
- The Next Cut Is The Deepest by Paula Crossfield
- Hawnay Troof: Toast to Us by Peter Holslin
Dance
- Jérôme Bels New Lecture: A Review by Carley Petesch
Film
- Sir David and Mrs. Brown by Lu Chen
- Bresson on the Bayou by David N. Meyer
- New Social Mov(i)ements by Sarahjane Blum
- In the Bubble by Tessa DeCarlo
- Mourning For a Better Story by Camila de Onís
- Ladies & Gentlemen, The Fabulous Stains (1981) by Mary Hanlon
Theater
- Getting Blasted: Sarah Benson with Caridad Svich by Caridad Svich
- P#7: CRAWL, FADE TO WHITE by Gary Winter
- Extraordinary Jokes with Savianna Stanescu by Matthew Paul Olmos
- Four-Play: WaxFactory's blind.ness at PS122 by John Beer
Fiction
- Four Excerpts from an Unpublished Novella by David Ohle
- Substance Abuse by Harold Jaffe
- An Excerpt from John Reed's New Book: All the World's a Grave by John Reed
- The Fox by Daniels Parseliti
- Tragic Strip by T. Motley
- Three Titles by Diane Williams
Poetry
- The New Boys by Mei-mei Berssenbrugge
- The Elected by Donna Brook
- Poetry by Simon Pettet
Streets
LastWords
- David Wallace by Martin Riker
Editor's Message
- Man, What a Show! by Theodore Hamm









