Pamela Sneed: ABOUT time

By Jillian McManemin

JUL-AUG 2022 | ArtSeen

If you have any interest in poetry, you probably know Pamela Sneed—Black, lesbian, radical poet, and one of the infamous Grand Dames of the downtown scene. Her stage presence is formidable and her voice, revolutionary. Her 2020 book Funeral Diva published by City Lights Books looks back on her experiences during the AIDS Crisis while making correlations to COVID-19, and the ongoing layered impacts of racism, homophobia, and political brutality. In ABOUT time at Laurel Gitlen, Sneed’s visual practice merges with her poetic one, creating an exhibition that is fiercely outspoken, experimental, and personal.

Raqs Media Collective: HUNGRY FOR TIME

By Klaus Speidel

DEC 21-JAN 22 | ArtSeen

While some visitors deemed the exhibition “refreshing” or “exciting,” a majority also voiced anger, disappointment, and incomprehension in the visitor’s book of the Gemäldegalerie der Akademie der bildenden Künste, the paintings gallery of Vienna’s art academy, in the face of Hungry for Time, an exhibition curated by Raqs Media Collective from New Delhi.

Frida Orupabo: Closed Up Like a Fist

By Margarita Lila Rosa

APRIL 2022 | ArtSeen

Frida Orupabo’s solo show at Nicola Vassell Gallery, Closed Up Like a Fist, is a visual encounter with the hauntings of the Black Atlantic archive. Drawing from a rich tradition of literary and visual archives that have aimed to salvage Black femmes from fossilized narratives, Orupabo’s exhibition reads as a cartography of Black femme precarity, delicately pinned up by the resolve to survive.

Time, Lost and Regained

By George Grella

OCT 2021 | Music

This past August, TIME:SPANS combined last year’s postponed programming with a new 2021 schedule and presented 11 concerts. That number of evenings dedicated to music from the first or second Viennese Schools would be definitive, but near a quarter way into the 21st century, a listener is barely getting a partial survey of what’s happening on the contemporary scene.