Alison Elizabeth Taylor

By Jason Rosenfeld

JUNE 2023 | ArtSeen

The Sum of It is Alison Elizabeth Taylor’s career survey of forty-one41 large combination works and one immersive installation. It fills five rooms, the central exhibition hall, and the entry rotunda of the Addison Gallery of American Art, which features an eponymously titled self-portrait (2017), showing Taylor photographing herself in the mirror above the vanity in a rainbow-tiled bathroom—an appropriate metaphor for her organized vision and preference for both slices of her own life and the American mundane vividly rendered.

Sean Scully: A Wound in a Dance with Love

By Raphy Sarkissian

SEPT 2022 | ArtSeen

A leading champion of contemporary artmaking, Sean Scully has come to project his image of an artist as a formalist conundrum, as intimated by the above metaphor that exudes a sense of pathos.

Robert Swain: The Perception of Color

By Alfred Mac Adam

APRIL 2023 | ArtSeen

Robert Swain’s current exhibition The Perception of Color lets ten paintings (please excuse the mixed metaphor) do the talking, and their rhetoric makes a more convincing argument than any essay.

Ebony G. Patterson: …to kiss a flower goodbye…

By Ksenia Soboleva

JUNE 2022 | ArtSeen

In her second solo exhibition at Hales Gallery, …to kiss a flower goodbye…, Ebony G. Patterson continues to explore the garden as a multilayered metaphor for the colonial histories embedded in the Caribbean landscape.