By Alfred Mac Adam
DEC 22–JAN 23 | ArtSeen
The Mexican novelist Carlos Fuentes once quipped, We Mexicans, you know, descend from the Aztecs. The Argentines, well, they descend from boats. A facetious thought with serious consequences for the eight graphite paintings from the Tablada Suite and Poema Pedagógico, series by Guillermo Kuitca, currently on view at Sperone Westwater. Mexicans can feel autochthonous, linked to their land by blood, but Argentines, a nation of immigrants like the United States, rarely have the same experience. Where Americans generally feel bonded by their Constitution, a document that holds their nation together, that commonality, if it exists in Argentina, is attenuated by political and economic catastrophe.
By Amanda Millet-Sorsa
NOV 2022 | ArtSeen
Carol Saft’s painting asks us to slow down, to self-reflect, and cherish the ones we hold dear. For Saft, that meant turning her gaze to her partner, Cynnie, who takes center stage in these paintings, and thus gives us an intimate view into the domestic life of a mature lesbian couple, a subject that has not often been addressed in this tender and quotidian way in art history.