Art
Celebrate the New Dark Age
By David GeersToday is not a time for monuments; it is a time for ruins. What front page of a newspaper is not splashed with images of social collapse, disaster, and grief that transfix us with their mournful beauty and fill us with lurid fascination?
In Conversation
FRANKLIN EVANS with Greg Lindquist
In a series of conversations held over the past summer months and into a fall museum installation, artist Franklin Evans spoke with artist and Art Books in Review editor Greg Lindquist.
In Conversation
APPLYING PRESSURE
CHRIS BURDEN with Jarrett Earnest
Chris Burden is an icon—a status that, like most of his work, is no mean feat. One of the most daring performance artists of the 1970s, Burden pioneered a genre now ubiquitous in contemporary art with works like “Shoot” (1971), in which he was shot in the arm at close range.
In Conversation
NALINI MALANI with Ann McCoy
Nalini Malani recently flew to Japan to receive the Fukuoka Arts & Culture Prize and to open her solo exhibition at the Fukuoka Asian Art Museum. A book about her dOCUMENTA (13) installation: Nalini Malani: In Search of Vanished Blood with essays by Carolyn Christov-Bakargiev, Arjun Appadurai, and Andreas Huyssen was produced by Hatje Cantz last year.
REMEMBERING
Arthur Danto
(1924 – 2013)
By Daniel Herwitz and Lydia Goehr
Arthur Danto was born in Ann Arbor, Michigan in 1924 and grew up in Detroit. He served in the military during the Second World War, driving trucks in North Africa and Italy. “I had a really great time,” he told me, making me wonder if anything at all could not, given his fascination with life, turn into an adventure.
