It is radical to propose that abstract sculptures have genders, or rather, can evoke them. In his new book, David Getsy goes even further, arguing that non-representational forms can conjure genders unknown, unforeseen, and unshared by their makers.
A Constellation challenges us to reflect on contemporary and historical politics of racial inclusion versus exclusion. It is remarkable not only for its diverse collection of artists and media, but because it embodies such a large scope of political themes. As we navigate through painting, photography, sculpture, large-scale, small-scale, and mixed-media works, we are confronted with subjects of race, identity, culture, gender, and economic inequality.
At an art auction a few years ago, I overheard a conversation that unsettled my sense of painting in a way that I’m still trying to fully understand. The auction was a fundraiser for a local art nonprofit and the mood was sour. The artists clung to the walls and their drinks, grumbling about the measly number of comped drink tickets, the price-slashing they foresaw for their work, and the various iniquities of fundraisers, which ask artists to give work for pennies on the dollar.
Now and then after a difficult day I have a repeating dream of me as a child coming home from school and sitting down to draw. And I draw suns. I use every crayon in the box.
In 2015, the Rose Art Museum at Brandeis University organized The Brood, Lisa Yuskavage’s first solo show at an American museum since a retrospective at the Institute of Contemporary Art, Philadelphia fifteen years prior.
The Joan Mitchell Foundation has extensive holdings of “archival art,” a broad category that includes student work, sketchbooks, trial proofs, drawings, and gifts of artwork from friends.
From the Publisher & Artistic Director
What a privilege it is to spend time with artists and learn how they gain the confidence and courage that allow them to transform their visions into memorable cultural contributions.
Editor's Messsage Guest Critic
New approaches to writing are everywhere in evidence across the contemporary art world. In Los Angeles, home of East of Borneo, XTRA, Les Figues Press, MATERIAL, and the Journal of Aesthetics and Protest, to name a few venues where art meets writing, critical and discursive engagement with art and art writing is especially pronounced.