Table of Contents
Editor's Message
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Migrating Places, Diasporic Beings, and The Ghost of Our Loss (Collage)
– By Octavio Zaya
Publisher's Message
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Dear Friends and Readers,
– By Phong Bui
Art
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WOLFGANG LAIB with Phong Bui
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ALLEN RUPPERSBERG with Constance Lewallen
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MEL CHIN with Lilly Wei
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Forecasting Art and Social Justice*
– By Rehan Ansari
ArtSeen
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JAMES HYDE: West
– By Hovey Brock -
TERRY WINTERS: Facts & Fictions
– By William Whitney -
Refiguring The Future
– By Eleanor Heartney -
Art in the Age of the Internet, 1989 to Today
– By Will Fenstermaker -
Ziggy's Reliquaries
– By Mark Dery -
David Bowie Is
– By Sadie Rebecca Starnes -
SEAN SHIM-BOYLE: Jack
– By Swagato Chakravorty -
Harlem Perspectives: Decolonizing the Gaze & Refiguring the Local
– By Nico Wheadon -
GETA BRĂTESCU: The Leaps of Aesop
– By Grant Klarich Johnson -
DARREN WATERSTON: Ecstatic Landscape
– By Alex A. Jones -
SUE WILLIAMS
– By Grant Klarich Johnson -
Klimt and Schiele: Drawn
– By Steven Pestana -
Painting After Postmodernism: Belgium-USA-Italy
– By Tom McGlynn -
DOUG AITKEN: New Era
– By David Carrier -
ARLENE SHECHET: Some Truths
– By Phong Bui -
KELTIE FERRIS: (F(U(T()U)R)E)
– By David Rhodes -
The Worlds of Joaquín Torres-García
– By Benjamin Clifford -
DANIEL RICH: Never Forever
– By Barbara A. MacAdam -
MARY REID KELLEY and PATRICK KELLEY: We are Ghosts
– By Alex A. Jones -
Being: New Photography
– By Phillip Griffith -
HANK WILLIS THOMAS: Black Archival Memory & Its Conceits
– By Nico Wheadon -
JANE CORRIGAN: Ma Paw
– By Alfred Mac Adam -
GEDI SIBONY: The King and the Corpse
– By William Corwin -
Visions of Order and Chaos: The Enlightened Eye
– By Steven Pestana -
Visions of Order and Chaos: The Enlightened Eye
– By David Carrier and Graham Shearing -
ADRIAN PIPER: From Passing to Purple
– By Nico Wheadon -
ADRIAN PIPER: A Synthesis of Intuitions, 1965—2016
– By Nicole Miller -
PABLO HELGUERA & SUZANNE LACY: The Schoolhouse and The Bus: Mobility, Pedagogy, and Engagement
– By Vijay Masharani -
SPENCER FINCH: Me, Myself and I (A Group Show)
– By Hearne Pardee -
EDUARDO NAVARRO: Into Ourselves
– By Osman Can Yerebakan -
SADE: Artists Under the Influence
– By Mary Ann Caws -
THEODORE DARST & COLLIN LEITCH: Not Every Place You Fit In Is Where You Belong
– By Ida Pruitt -
ROBIN WINTERS: The Thrum and The Thrall
– By Hovey Brock -
MOYRA DAVEY: 1943
– By Jan Avgikos -
DAVID AUSTEN: the stars above the ocean the ocean beneath the stars
– By Hovey Brock -
The Sun Teaches Us That History Is Not Everything
– By Vivian Li -
Hours and Places
– By J C -
Stories of Almost Everyone
– By Hannah Sage Kay
Critics Page
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Caracas-Havana: The Dirty Word Exile
– By Gabriela Rangel -
A Tale of Crossroads
– By Shoja Azari -
New Notes of a Native Son
– By Michele Robecchi -
Diasporic Memory
– By Hayv Kahraman -
Elements of Peaceful Engagement. Ingredients
– By Marlena Kudlicka -
Wind Advisory (On Crossing Borders)
– By Jose Falconi -
Blurred Alterity
– By Fernando Bryce
Books
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Ursula K. Le Guin’s No Time to Spare
– By Yvonne C. Garrett -
Roxane Gay’s Not That Bad: Dispatches from Rape Culture
– By Matt Grant -
Julián Herbert’s Tomb Song
– By Maya Chung -
Meg Wolitzer’s The Female Persuasion
– By Yvonne C. Garrett -
Dorothy Parker with a Ph.D.
– By John Domini -
BRIAN EVENSON with Peter Markus
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TONY LEUZZI with Pirooz Kalayeh
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A Suspended G(l)aze: On Errancy & Arrivals in Camp Marmalade
– By Chris Campanioni -
Michelle Reale’s The Indispensable Academic Librarian
– By Yvonne C. Garrett -
Alexander Chee's How to Write an Autobiographical Novel: Essays
– By Matt Grant -
LESLIE JAMISON with Eric Farwell
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Moveable Feast: DUNCAN HANNAH with Frank Pizzoli
Music
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Deep in the Groove of History: The Art of Conduction: A Conduction Workbook
– By George Grella -
Savannah Music Festival
– By Martin Longley -
Journey to the South: Makan Ashgvari’s To Trucks
– By Yasi Alipour -
Outtakes
– By Steve Dalachinsky -
Blood Memories: Matana Roberts at the Park Avenue Armory
– By George Grella -
May Selections
– By Brad Cohan
Dance
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JACK FERVER with Ivan Talijancic
– By Ivan Talijancic -
Bouquets within Reach
– By Mike Stinavage -
Comfort, Humor, and Grace
– By Susan Yung -
Reid & Harriet: A Site for New Approaches to Production Design
– By Caroline Stinger
Film
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BLAKE WILLIAMS with Phil Coldiron
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Under the Paving Stones, the Sewers! “For Another ’68” at Cinéma du Réel
– By Celluloid Liberation Front -
The Sacred Wood: Nathaniel Dorsky's Arboretum Cycle
– By Max Goldberg -
The End of the Affair: On Hong Sangsoo’s The Day After
– By Sarah Mankoff
Theater
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The Rooted Adventure of Target Margin: 1001 Nights in Sunset Park
– By Jim Knable -
The Absurdity of American Acclimation: TRISH HARNETIAUX with Liza Birkinmeier
– By Liza Birkenmeier -
A View from the Wings: My Fair Lady
– By Ginny Mohler
Fiction
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from The Chronicle
– By Intizar Husain, translated from the Urdu by Matt Reeck -
Accidental Improvements
– By Kimberly King Parsons -
Michael Row the Boat Ashore
– By John Reed -
inSerial: part eighteen Delusions of Being Observed
– By Lewis Warsh -
from The Empty Room
– By Sadia Abbas -
from SHEEP MACHINE
– By Vi Khi Nao -
Gun Control Facts You Didn’t Know You Should Be Mad At!
– By Joshua Daniel -
Highlights from the Life of Raymond Roussel #4: Afrique
– By Tom Motley
Poetry
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I Thought I Was Seeing Convicts
– By Andrew Levy -
“Husbands Are Deadlier Than Terrorists”
– By Laura Solomon -
four
– By John Godfrey -
AISHA SABATINI SLOAN with Vi Khi Nao
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four
– By Jared Stanley -
three
– by Susana Thénon, translated from the Spanish by Rebekah Smith
Verbatim
Art Books
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Zoe Leonard: Survey
– By Brianna Leatherbury -
Nothing Personal
– By Bartolomeo Sala -
Black Out: Silhouettes Then and Now
– By Hannah Stamler -
MADELINE SCHWARTZMAN with Joyce Beckenstein
Field Notes
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Editor’s Note
– By Paul Mattick -
May-June 1968: What Happened
– By Charles Reeve -
Document 1: WHY SOCIOLOGISTS?
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Document 2: A FLASH FIRE OR THE BEGINNING OF A CONFLAGRATION?
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Document 3: POWER TO THE WORKERS COUNCILS
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Document 4: DEFEND OUR STRIKE
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Document 5: UNIONS AND WORKERS
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Class Struggle at the Folies Bergères
– By Jorge Valadas -
May Days: What It Was Like
– By Francois Cerutti -
May ’68 was the beginning of something: LAURE BATTIER and CATHERINE MAYEN with Charles Reeve
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