Table of Contents
Publisher's Message
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Dear Friends and Readers,
– By Phong Bui
Editor's Message
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Performa 2021
– By RoseLee Goldberg
Art
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Ghada Amer with Amanda Gluibizzi
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Tacita Dean with Jonathan T.D. Neil
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Tomashi Jackson with Maddie Klett
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Jorge Pardo with William Corwin
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Una Stanza Per Panza
– by Donald Judd -
Pure Meshuggah: Anti-Semitism Invades Art History
– By Francis M. Naumann
ArtSeen
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Kon Trubkovich: The Antepenultimate End
– By David Carrier -
Tamara Gonzales: Horrible Beauty
– By Amanda Millet-Sorsa -
Louise Lawler: LIGHTS OFF, AFTER HOURS, IN THE DARK
– By Hannah Sage Kay -
Leonardo Drew
– By Jillian Russo -
Kon Trubkovich: The Antepenultimate End
– By Nicholas Heskes -
Nicky Nodjoumi: We the Witnesses
– By Andrew Paul Woolbright -
O-I-L Paint (for Albert Ryder)
– By Bill Jensen -
A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art
– By Peter Acheson -
A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art
– By Amanda Millet-Sorsa -
Jennie C. Jones: New Compositions
– By Ann C. Collins -
Hemali Bhuta: and the epic did not happen!
– By Barbara A. MacAdam -
Stacy Lynn Waddell: Mettle
– By Darla Migan -
Emilie Stark-Menneg: Strawberry Moon
– By Alfred Mac Adam -
Nicole Storm
– By Bryan Martin -
Ron Gorchov: Spice of Life
– By Tom McGlynn -
Convergent Evolutions: The Conscious Body of Work
– By Charlotte Kent -
Katelyn Eichwald: Never
– By Elizabeth Buhe -
Alex Callender: All Her Loves and All Her Disappointments
– By Marcus Civin -
Joanna Borkowska & Sandi Slone: Material/Immaterial
– By Robert C. Morgan -
Matvey Levenstein
– By Andrew L. Shea -
Philip Guston: 1969–1979
– By David Rhodes -
Lois Dodd
– By Hearne Pardee -
John Currin: Memorial
– By Alfred Mac Adam -
Alison Elizabeth Taylor: Future Promise
– By Susan Harris -
Daniel Johnston: I Live My Broken Dreams
– By Barbara Purcell -
Thomas Nozkowski: The Last Paintings
– By Tom McGlynn -
Liz Ahn: unobservable scavenger
– By Pamela Sneed -
Wallace Berman: Off the Grid
– By Ann McCoy -
Julian Schnabel: Self-Portraits of Others
– By David Ebony -
Bernar Venet: 1961 & 1963: les origins
– By Joseph Nechvatal -
Martha Tuttle: Wild irises grow in the mountains
– By Louis Block -
Elizabeth Murray: Back in Town
– By Douglas Dreishpoon -
McArthur Binion: Modern:Ancient:Brown
– By Amanda Millet-Sorsa -
Kamala Sankaram: The Last Stand
– By Julie Reiss -
Wardell Milan: Amerika. God Bless You If It’s Good To You
– By Cat Dawson -
BRUCE CONNER & JAY DEFEO: (“we are not what we seem”)
– By Jessica Holmes -
Lisa Yuskavage: New Paintings
– By Jason Rosenfeld -
Raquel Rabinovich: Portals
– By Jonathan Goodman
Critics Page
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Live from New York
– By Charles Aubin -
The Real World
– By Kathy Noble -
Amazon (Proxy)
– By Danielle Dean -
Stalk
– By Ericka Beckman -
The Stage
– By Tschabalala Self -
notes towards becoming a spill
– By Shikeith -
Review
– By Madeline Hollander -
Down at the Arcade
– By Sara Cwynar -
Being Silica
– By Andrés Jaque -
The Sound of Morning
– By Kathy Noble
Books
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Aimee Parkison’s Sister Séance
– By Jacquelyn Marie Gallo -
Deborah Levy’s Real Estate
– By Elizabeth Block -
Khadija Abdalla Bajaber & Jonathan Franzen
– By Yvonne C. Garrett -
Shukri Mabkhout’s The Italian
– By John Domini -
A Womans Worth
– By Carissa Chesanek -
Revolutionary Letters: 50th Anniversary Edition
– By Patrick James Dunagan -
John Banville’s April in Spain
– By Joseph Peschel -
Clare Chamberss Small Pleasures
– By Carissa Chesanek -
Lincoln Michels The Body Scout
– By Rone Shavers -
Martha Cooley with Catherine Parnell
Music
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Possessed by the Moon
– By Adolf Alzuphar -
Into the Blue
– By Scott Gutterman -
Ostrava Days, Ostrava, Czech Republic, August 20–21, 2021
– By Martin Longley -
“A Totally Integrated Club Scene”: New York, New Music: 1980–1986 at the Museum of the City of New York
– By Matthew Pessar Joseph -
Time, Lost and Regained
– By George Grella
Dance
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Light and Desire: Illuminating Anger and Transformation
– By Jen C. George -
Taylor Returns—But What Holds the Future?
– By Susan Yung -
How Do We Stage a World?
– By George Kan
Film
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Emma Dante’s The Macaluso Sisters
– By Laura Valenza -
Angelo Madsen Minax’s North By Current
– By Anna Cahn
Theater
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Write Me Back: P.S. Offers a Unique Window into Pen Pals’ Isolation
– By Joey Sims -
The Dramaturg’s Perspective: A Conversation with Amauta Firmino
– By Alexi Chacon -
For Your Eyes OnlyFans: Playwright Gage Tarlton on Sex, Confessions, and the Digital Age
– By Kyle Turner
Fiction
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Miss Weinburger
– By Alec Niedenthal -
Coda: Waiting by the Shore
– By Kate McIntyre
Poetry
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two
– By I.S. Jones -
three
– By Charles Theonia -
The Autobiography of Jean Foos
– By Jessica Grim and Melanie Neilson -
Moon with David
– By Ed Steck -
three
– By Kendra Sullivan -
Late Humans and Other Animals
– By Jason Morris
Art Books
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Sara Cwynar’s Glass Life
– By Karen Gu -
Kristin Bedford’s Cruise Night
– By Nicole Kaack -
Designing Motherhood: Things That Make and Break Our Births
– By Ksenia Nouril -
Edith Young’s Color Scheme
– By Alana Pockros -
Derek Sullivan’s Evidence of the Avant Garde Ex-Library
– By Megan N. Liberty -
Richard Tuttle’s The Role of the Story Teller
– By Louis Block
ArTonic
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The Foundation for Contemporary Arts
– By Charlotte Kent
Field Notes
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Occupied
– By Paul Mattick -
Buying Time: Evictions and Tenant Organizing at the Pandemic Slow End
– By Nathan Eisenberg and Daniel Tutt -
The Present and Future of Engineers
– By Nick Chavez
The Miraculous
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71. (The Studio Museum in Harlem)
– By Raphael Rubinstein -
72. (Various walls around the city)
– By Raphael Rubinstein -
73. (Various museums and galleries)
– By Raphael Rubinstein -
74. (402, 404 & 414 East 14th Street)
– By Raphael Rubinstein -
75. (Pier 18, Hudson River)
– By Raphael Rubinstein
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