Search View Archive

The Miraculous

The Miraculous: New York

61. (SoHo, Lower East Side)

On vacation with his parents in New Mexico, a six-year-old boy runs away for the day and builds an “Indian fire pit” in Bandelier National Monument, an area renowned for its ancient ruins of Pueblo cliff dwellings.

The Miraculous: New York

62. (Midtown)

An artist ties himself to the door of a 24-hour Chase Bank ATM across the street from Grand Central Terminal wearing only a hula skirt made from 1-dollar bills and a pair of boots. Originally he planned to bind himself to the door with a chain, but worried about the legal consequences of “impinging on their property in some, quote, terrorist sense,” he opts instead for an eight-foot-long string of Italian sausages.

The Miraculous: New York

63. (Various locations)

An artist who starts off as a painter finds herself thinking more and more about the space in front of the wall than about the surface of the canvas. Moving to New York after grad school she is unable to afford a studio and must make her work in a small apartment.

The Miraculous: New York

64. (Fulton Street, Chinatown, West Broadway, Eldridge Street)

After graduating from art school in Los Angeles, an aspiring artist, who hasn’t yet committed herself to any particular medium, uses insurance money from a car accident to bankroll a move to New York City. To make these funds last until she can find a job, she stays with a series of friends and acquaintances.

The Miraculous: New York

65. (SoHo)

“A sensitive organization of lines and colors on a canvas must have ultimate social value,” writes an artist in the early 1940s. Some 30 years later a former student of his gets his first solo show at the age of 32. For the exhibition, the artist, who lately has been spending more and more time making music, dumps in the middle of a SoHo gallery a tangle of wires and light fixtures.


The Brooklyn Rail

JUL-AUG 2021

All Issues