Table of Contents
Editor's Message
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Hong Kong’s Contemporary Cultural Scene—public protests and beyond
– By Paul Gladston
Publisher's Message
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Dear Friends and Readers,
– By Phong Bui
Art
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Vera Lutter with Jean Dykstra
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Takesada Matsutani with Charles M. Schultz
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Joan Semmel with Amelia Jones
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On Joseph E. Yoakum
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Russian Invasion of Ukraine: Oral History in Seven Voices
– By Nina Mdivani
ArtSeen
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Airbnb Experience™ as a Work of Art
– By Dani Issler -
Holbein: Capturing Character
– By Maxwell Paparella -
Kathy Ruttenberg: Sunshine at Midnight
– By Mary Ann Caws -
Olafur Eliasson: Your light spectrum and presence
– By Ricky Amadour -
Joe Minter: We Lost Our Spears
– By William Corwin -
Antonia Kuo: Mercury and Salt
– By James Welling -
Troy Montes Michie: Dishwater Holds No Images
– By Christian Liclair -
The Morozov Collection: Icons of Modern Art
– By Natalia Gierowska -
Hildigunnur Birgisdóttir’s Peace
– By Gregory Volk -
Livien Yin: Ka‑la‑fo‑ne‑a
– By Ekalan Hou -
Marcia Hafif: An Extended Gray Scale
– By Jane McFadden -
Hawkins Bolden: Seated
– By Daniel Fuller -
Edgar Jerins: Monumental Drawings
– By Joyce Beckenstein -
Hans Holbein: Capturing Character
– By Christian Kleinbub -
Karla Knight: Navigator
– By Kathy Battista -
Bronx Calling: The Fifth AIM Biennial
– By William Corwin -
H. R. Giger: HRGNYC
– By Nicholas Heskes -
Paul Fägerskiöld: 2100
– By Jess Chen -
Esther Kläs: Come Again
– By Barbara A. MacAdam -
Roy Dowell
– By D. Dominick Lombardi -
Bill Jensen: Stillness/Flowing
– By Amanda Millet-Sorsa -
Abby Lloyd: Goodbye Dolly
– By Andrew L. Shea -
The African Origin of Civilization
– By David Carrier -
The New Bend
– By Charles Moore -
Judith Braun: My Pleasure
– By Robert R. Shane -
Danica Lundy: Three Hole Punch
– By Andrew Paul Woolbright -
Ruby Sky Stiler: New Patterns
– By Jared Quinton -
Andrea Belag: Under the Pergola
– By William Corwin -
Nuestra Casa: Rediscovering the Treasures of The Hispanic Society Museum & Library
– By David Carrier -
Ocultismo y barro
– By Barbara Calderón -
Faith Ringgold: American People
– By Ann C. Collins -
Luca Buvoli: Astrodoubt and the Quarantine Chronicles (An Introduction)
– By Robert C. Morgan -
Rachel Feinstein: Mirror
– By Toby Kamps -
The Yes Men
– By Cassie Packard -
Andrea McGinty: Clint Eastwood
– By Zach Ritter -
Sahra Motalebi: This Phenomenal Overlay
– By Dina A. Ramadan -
Alina Tenser: A Particular Kind of Embrace
– By Helena Haimes
Critics Page
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An Open letter to Hong Kong
– By Wen Yau -
Fragments of the Untimeliness in the New Hong Kong
– By Phoebe Wong -
A Few Stories about Art in Hong Kong during 2021
– By Frank Vigneron -
Does Art Point the Way in a Polarized Hong Kong?
– By Enid Tsui -
On Drawing Life
– By Zheng Bo
Books
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Margaret Atwood’s Burning Questions
– By Yvonne C. Garrett -
Mark Haber with Andrew Ervin
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Steven Van Zandt with Samuele F.S. Pardini
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Are the Arts Essential?
– By Mary Ann Caws -
Christopher Prendergast’s Living and Dying with Marcel Proust
– By Mary Ann Caws -
Wolfgang Hilbig’s The Interim
– By Nolan Kelly -
Colette Brooks’sTrapped in the Present Tense: Meditations on American Memory
– By Rhoda Feng -
Mike DeCapite with Drew Hubner
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Olga Ravn’s Employees
– By John Domini -
The Most Dangerous Branch?
– By Harry Feder -
Emme Lund’s The Boy with a Bird in His Chest
– By Zach Schwab
Music
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The Voice of America
– By George Grella -
Wade in the Water
– By Scott Gutterman -
The Future of Classical Music? Contemporary Music? New Music?
– By Petr Kotik -
The Strength, Suppleness, and Beauty of a Body
– By Adolf Alzuphar
Dance
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Sankofa Danzafro: Accommodating Lie
– By Mariana Fernández -
Ogemdi Ude with Lauren Wingenroth
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David Gordon with Nancy Dalva
– By Nancy Dalva
Film
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Pablo Larraín’s Spencer
– By Brianna Di Monda -
Adam McKay’s Don’t Look Up
– By Jerrine Tan -
The Academy Museum
– By Edward Mendez -
Iuli Gerbase’s The Pink Cloud
– By Nolan Kelly
Theater
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What Are White People So Afraid Of? Claudia Rankine’s Help
– By Alexis Clements -
To Daniel K. Isaac, The Chinese Lady Is About the History of Asians in America
– By Diep Tran
Fiction
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I, You, He
– by Caio Fernando Abreu, translated from the Portuguese by Bruna Dantas Lobato -
In Judy’s Room
– By Ben Goldstein
Poetry
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three
– By Sarah Anne Wallen -
eight
– By Tony Iantosca -
four
– By Bianca Stone -
two
– By Kevin Powell -
three
– By Mark Wallace -
five
– By Gregory Corso -
five
– By Yosefa Raz -
two
– By Farid Matuk
Art Books
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JJJJJerome Ellis’s The Clearing
– By Erica N. Cardwell -
Andrés Hernández’s we used to move through the city like doves in the wind
– By Maymanah Farhat -
The Wayland Rudd Collection
– By Jonah Goldman Kay -
Eirik Johnson’s Road to Nowhere
– By Erin Langner -
Abigail Susik’s Surrealist Sabotage and the War on Work
– By Joseph Nechvatal
In Memoriam
ArTonic
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A.I.R. Gallery
– By Lee Ann Norman
Special Report
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Railing Opinion
– By Phong Bui
Field Notes
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Ukraine: The Economic Consequences of the War
– By Michael Roberts -
The Anti-Viral Struggle and the Social Question
– by Charles Reeve, translated from the French by Janet Koenig -
Endgame: Finance and the Close of the Market System
– By Jamie Merchant -
No Ship Will Come to Save Us
– By The Friends of the Classless Society
The Miraculous
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91. SoHo
– By Raphael Rubinstein -
92. Fort Greene
– By Raphael Rubinstein -
93. 404 East 14th Street
– By Raphael Rubinstein -
94. West 53rd Street
– By Raphael Rubinstein -
95. 24 University Place, A Restaurant in Chinatown
– By Raphael Rubinstein
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