Annabel Keenan
everything slackens in a wreck
By Annabel KeenanReflecting on the complex consequences of indentureship, the show explores how these four artists respond to their shared diasporic heritage.
Women at War
By Annabel KeenanWomen at War is an exhibition, a history lesson, and an effort to preserve Ukrainian nationalism and culture. Hosted by Fridman Gallery and presented with Voloshyn Gallery, the group show features leading Ukrainian women artists who tell complex stories of war and life in Ukraine. Curated by Monika Fabijanska, Women at War addresses over a century of conflict, touching on the impact of both World Wars, the eight years of fighting that followed the annexation of Crimea in 2014, and the present-day war.
Henrike Naumann: Re-Education
By Annabel KeenanIn her debut US solo show, Re-Education at SculptureCenter, Berlin-based artist Henrike Naumann explores the power of design to disseminate specific messages and align with larger ideologies.
Parallel Phenomena
By Annabel KeenanParallel Phenomena brings together dynamic works by Outsider artist Susan Te Kahurangi King and three “insiders” whose work has often resisted the artistic mainstream: Carroll Dunham, Gladys Nilsson, and Peter Saul.
Milano Chow: Prima Facie
By Annabel KeenanWhen titling her first institutional solo show at the Aldrich Contemporary Art Museum, Milano Chow reflected on the role of a title as the first impression of a show. Embracing this frontline nature, she chose Prima Facie, which translates from Latin to first impression.
Celebrating the City
By Annabel KeenanThroughout this show, this feeling of being part of a larger, timeless community with shared interests and activities continually emerges.
