Maximiliane Leuschner
Penny Goring: Penny World
By Maximiliane LeuschnerPenny World at the Institute of Contemporary Arts in London spans three galleries over two floors, sharing glimpses of the thirty-year-long career of Penny Goring, an artist and poet who has long worked on the fringes of the London art world, from her early days at Kingston School of Art in the early nineties until today.
Howardena Pindell: A New Language
By Maximiliane LeuschnerCurrently at Kettle’s Yard in Cambridge—former home to British art collectors Jim and Helen Ede—Pindell unfolds her new approach—from abstraction to filmic confrontation—over three galleries on two floors in the annexed exhibition galleries.
Simone Fattal: Finding a Way
By Maximiliane LeuschnerFinding a Way is foremost a meditation on fragments, a topic that has long preoccupied Fattal.
Fehras Publishing Practices: Borrowed Faces: Future Recall
By Maximiliane LeuschnerBorrowed Faces: Future Recall at The Mosaic Rooms in London is Fehras Publishing Practices’ institutional debut in the United Kingdom.
Pablo Bronstein: Hell in its Heyday
By Maximiliane LeuschnerArchitectural fantasias run deeply through Pablo Bronstein’s veins. At the age of 16, the Argentinian-British (or British-Latinx) artist redecorated his bedroom in drabby Neasden, a West London suburb, transforming it into an iridescent Baroque palazzo.
The Many Face(t)s of Michael Clark
By Maximiliane LeuschnerCosmic Dancer retrospective on Scottish choreographer and dancer Michael Clark explores his screen, set, and stage collaboration with fellow artists.
Eight Commandments of Choreography
By Maximiliane LeuschnerThe Kolumba in Cologne, Germany, explores what fine arts can learn from dance, and has, together with tanz.Köln, devised a comprehensive program of live performances, screenings, podcasts, video teasers, and more for a yearlong presentation.
