The recent decision by the Black artists group Yams Collective to withdraw from the Whitney Biennial in protest of the show's inclusion of Joe Scanlan's alter ego Donelle Woolford has forced a long-standing private conversation among artists of color into public view.
Like so many others, I am deeply indebted to Linda Nochlin's scholarship and feminist vision.
Los Angeles in the late 1970s. Hotel California on the radio. Ponytails, bell-bottoms, and psychedelic sex.
Much virtual ink has been spilled of late about how an excess of money has “spoiled” the art world, but the discussion has been focused on the dubious effects of wealth, the dominance of art fairs over biennials, and the power of collectors and dealers over critics and curators.
Most Americans have no access to art education, period. Funding for art education in public schools has been on the decline for decades. In general, art education starts too late for those who are interested in making art.