And so, three generations of yearning wanderers are trapped in an emotional limbo between the United States and Russia, weighed down byyet also dangerously ignorantof history. When Lenny says, “nothing here is straightforward,” Krasikov wants us to think not only about Russia, but also family life, over the decades.
In a now-famous 1997 smack down, David Foster Wallace took a generation of great American novelists—Updike, Mailer, Roth—to task.
It could be argued that Jennifer Egan, in 2010, took it upon herself to find a cure for what Zadie Smith once called our ailing literary culture.
It so happens Magees much-hyped novelsee the glowing write-ups not just in The Guardian but also Kirkus Reviews and Publishers Weeklyis coming out just in time for the 25th anniversary of the Good Friday agreements, which brought to the North a fragile calm, if not promised prosperity.
By her life within the home, woman gives to the state a support without which the common good cannot be achieved. It is perhaps with this fraught context in mind that we should read Nicole Flatterys debut novel, a coming-of-age chronicle about the past and present, mothers and daughtersand Andy Warhol.
Narrated by a young Irish immigrant named Liam, who arrives in Brooklyn from County Clare in 1915, Exile on Bridge Street chronicles the labor and ethnic strife that engulfed the borough’s immigrants and their children.
The poet Philip Larkin famously wrote: They fuck you up, your mum and dad / They may not mean to, but they do. Anna Kerrigan, the protagonist of Pulitzer Prize-winner Jennifer Egans new novel, might well nod at Larkins sentiment, certainly as it relates to her father.